What better location than the Northeast to return to the basic concepts of color and light?
We will explore how light is manipulated in space and how light is manipulated through glass. Both traditional and contemporary techniques will reveal the effects: with paints - brushing, air brushing, finger painting and assorted removal of unfired paint techniques; with glass - different types of glass, plating and frits; also with lead lines; etching; fusing and glass color.
Make plans now to join the SGAA in Syracuse next year for a great conference. Watch this forum,
www.stainedglass.org, The
Stained Glass Quarterly, and Association email communications for more information!
